W.H. Auden
W.H. Auden: A Literary Luminary
Full Name and Common Aliases
Full Name: Wystan Hugh Auden
Common Aliases: W.H. Auden
Birth and Death Dates
Born: February 21, 1907
Died: September 29, 1973
Nationality and Profession(s)
Nationality: British-American
Profession(s): Poet, Essayist, Playwright, Critic
Early Life and Background
Wystan Hugh Auden was born in York, England, to a physician father, George Augustus Auden, and a nurse mother, Constance Rosalie Bicknell Auden. Raised in a household that valued both science and literature, Auden was exposed to a rich tapestry of intellectual pursuits from an early age. His family moved to Birmingham when he was a child, where he attended St. Edmund's School and later Gresham's School in Norfolk. It was during his time at Gresham's that Auden discovered his passion for poetry, influenced by the works of Thomas Hardy and Robert Frost.
Auden went on to study at Christ Church, Oxford, where he became part of a circle of friends that included future literary giants such as Stephen Spender, Christopher Isherwood, and Cecil Day-Lewis. This group, often referred to as the "Auden Group," would go on to shape the landscape of 20th-century English literature.
Major Accomplishments
W.H. Auden's career was marked by a prolific output and a remarkable versatility that spanned various forms and styles. He first gained prominence in the 1930s with his politically charged and socially conscious poetry, which resonated with the anxieties of a world on the brink of war. His early works, such as "Poems" (1930) and "The Orators" (1932), established him as a leading voice of his generation.
Auden's move to the United States in 1939 marked a significant turning point in his career. He became a U.S. citizen in 1946 and continued to produce a vast body of work that included not only poetry but also essays, plays, and librettos. His collaboration with composer Benjamin Britten on the opera "Paul Bunyan" and his work on the libretto for Igor Stravinsky's "The Rake's Progress" are notable examples of his interdisciplinary reach.
Notable Works or Actions
Among Auden's most celebrated works is the poem "Funeral Blues," famously recited in the film "Four Weddings and a Funeral," which captures the profound sense of loss and longing. His long poem "The Age of Anxiety," which won the Pulitzer Prize for Poetry in 1948, explores the existential struggles of individuals in a rapidly changing world. Other significant works include "September 1, 1939," a meditation on the outbreak of World War II, and "The Shield of Achilles," which juxtaposes classical themes with modern concerns.
Auden's essays, such as those collected in "The Dyer's Hand," reveal his keen intellect and his ability to engage with a wide range of topics, from literary criticism to social commentary. His influence extended beyond the written word, as he became a prominent figure in the cultural and intellectual circles of his time.
Impact and Legacy
W.H. Auden's impact on literature and culture is profound and enduring. His ability to blend traditional poetic forms with contemporary themes made his work both timeless and relevant. Auden's exploration of complex themes such as love, politics, and human identity resonated with readers across generations, and his work continues to be studied and celebrated for its depth and insight.
Auden's legacy is also evident in his influence on subsequent generations of poets and writers. His innovative use of language and form inspired figures such as John Ashbery, Seamus Heaney, and Joseph Brodsky, who regarded Auden as a mentor and a model of poetic excellence.
Why They Are Widely Quoted or Remembered
W.H. Auden is widely quoted and remembered for his ability to articulate the human condition with clarity and compassion. His poetry captures the complexities of life, love, and loss, offering readers a mirror in which to see their own experiences reflected. Auden's work is characterized by its intellectual rigor, emotional depth, and linguistic precision, making his words resonate with audiences both in his time and today.
Auden's quotes often encapsulate universal truths and insights, making them relevant in a variety of contexts. Whether addressing the personal or the political, his words continue to inspire, challenge, and comfort those who encounter them. As a result, W.H. Auden remains a towering figure in the world of literature, his voice as vital and compelling now as it was during his lifetime.
Quotes by W.H. Auden
W.H. Auden's insights on:
To build the City where / The will of love is done / And brought to its full flower / The dignity of man.
Certainly our city — with the byres of poverty down to / The river's edge, the cathedral, the engines, the dogs; / Here is the cosmopolitan cooking / And the light allows and the glass. / Built by the conscious-stricken, the weapon-making. / By us.
Happy Birthday, Johnny, / Live beyond your income, / Travel for enjoyment, / Follow your own nose.
May it not be that, just as we have to faith in Him, God has to have faith in us and, considering the history og the human race so far, may it not be that 'faith' is even more difficult for Him than it is for us?
Dear little not-so-innocents, beware ofOld Grandmother Spider: rump her endearments –She’s not quite as nice as She looks, nor you quiteas tough as you think.
Choice of attention — to pay attention to this and ignore that — is to the inner life what choice of action is to the outer. In both cases, a man is responsible for his choice and must accept the consequences whatever they may be.
If you really want to live you'd better start at once to try. If you don't, it doesn't really matter but you'd better start to die.
In the deserts of the heart / Let the healing fountain start / In the prison of his days / Teach the free man how to praise.
My parents kept me from children who were rough / And who threw words like stones and who were torn clothes.